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MUSIC RESEARCH FORUM

BACK ISSUES

1 (1986)	2 (1987)	3 (1988)	4 (1989)	5 (1990)	6 (1991)	7 (1992)	8 (1993)
9 (1994)	10 (1995)	11/1 (1996)	11/2 (1996)	12 (1997)	13 (1998)	14 (1999)	15 (2000)
16 (2001)	17 (2002)	18 (2003)	19 (2004)	20 (2005)	21 (2006)

VOL. 1 (1986)
 
EDITORS:
Virginia C. Montgomery, Susan L. Sloan, Timothy B. Sloan
 
ARTICLES:
"Greatness in Music: A Re-evaluation"
            James L. Zychowicz
 
"The Position of Satyagraha in the Operatic Trilogy of Philip Glass"
            Leslie Lassetter
 
"The Element of Theatricality in Three Works of Peter Maxwell Davies"
            Kurt-Alexander Zeller
 
"Timothy McGee's Medieval and Renaissance Music: A Performer's Guide"
            John E. Lindberg
 
"Toru Takemitsu's Pause ininterrompue: Linearity and Pitch-Class Set Recurrence"
            Timothy Koozin

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VOL. 2 (1987)
 
EDITORS:
David Denniston, Kirk MacKenzie
 
ARTICLES:
"Discontinuity and Closure: The First Movement of Beethoven's Quartet in A Minor, Op. 132"
            Ken Kirk
 
"New Finds in Violin Music of the Corelli School"
            Glenn Burdette
 
"The Choral Music of Thea Musgrave"
            Catherine Roma
 

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VOL. 3 (1988)
 
EDITORS:
Jonathan Stahlke, Greg Karl, Glenn Burdette
 
ARTICLES:
"Cyclic Structure in Two Works of Rakhmaninov"
            Gregory Karl
 
"J. A. P. Schulz, A Protagonist of the Musical Enlightenment: Lieder im Volkston"
            Wilhelm Schulte
 
"Tonal Types and Modal Categories: Vestiva i colli Revisited"
            Wolfgang Freis
 

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VOL. 4 (1989)
 
EDITORS:
Greg Karl, Glenn Burdette
 
ARTICLES:
"A Thorough Harping on Alberti"
            Glenn Burdette
 
"The Société Nationale de Musique: 'A Cradle and Sanctuary of French Art'"
            Kay Norton
 
"Dramatic Structure in Schoenberg's Op. 11, No. 1"
            Candace Brower
 

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VOL. 5 (1990)
 
EDITORS:
Greg Karl, Glenn Burdette
 
ARTICLES:
"Phrase Structure in 18th- and 19th-Century Theory: An Overview"
            Justin London
 
"A New X? An Examination of the Aesthetic Foundations of Early Minimalism"
            Elaine Broad
 
"The Dot as a Nondurational Sign of Articulation and Accent"
            Crafton Beck

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VOL. 6 (1991)
 
EDITORS:
Jennifer Thomas, Glenn Burdette
 
ARTICLES:
"Serialism and Permutation Techniques in Oliver Messian's Livre d'orgue"
            Eleanor F. Trawick
 
"Tangos in Waltz Time: A Possible Early Type"
            Jo Baim
 
"The Temporal Life of the Musical Persona: Implications for Narrative and Dramatic Interpretation"
            Gregory Karl
 
REVIEW:
David Damschroder and David Russell Williams, Music Theory from Zarlino to Schenker, A Bibliography and Guide
            Richard Bowen
 

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VOL. 7 (1992)
 
EDITOR:
Dane Heuchemer
 
ARTICLES:
"The Music of Mme Brillon (1744-1824) in the American Philosophical Society Archives, Philadelphia"
            Cheryl Van Buren
 
"Microtonal Techniques in the Music of Harry Partch and Ben Johnston"
            Richard Maltz
 
"Stravinsky and Khlebnikov: A Study of Russian Avant-Garde Art"
            Victoria Adamenko
 

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VOL. 8 (1993) [bound with Vol. 9]
 
EDITOR:
Janelle Gelfand
 
ARTICLES:
"In Memoriam Séamas O'Reilly (1922-1993) Where is O'Reilly?"
            Joyce Edholm Totlis
 
"The Other Side(s) of the Coin"
            Claire Boge
 
"Opera from Elsewhere: Meredith Monk's Atlas"
            Leslie Lassetter
 
"Barbara Garvey Jackson: First Generation Feminist Scholar and Publisher of Music by Women"
            Annie Janeiro Randall
 

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VOL. 9 (1994) [bound with Vol. 8]
 
EDITOR:
Jane Redd
 
ARTICLES:
"In Memoriam Samuel F. Pogue (1919-1994) A Personal Tribute"
            Bryan Gilliam
 
"The Société des Concerts, The French Government, and the Salle des Concerts"
            Matthew Daines
 
"Articulative Consistency and Change: A Study of Historical Articulation for Wind Instruments"
            Dane Heuchemer

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VOL. 10 (1995)
 
EDITOR:
Jennifer Lee Ladkani
 
ARTICLES:
"The Dialectic of Miles Davis"
            Fletcher Moore
 
"Restraining the Revolution: Musical Aesthetics and Cultural Control in France 1795-1799"
            Michael E. McClellan
 
"The Inherent Primitivism in Morton Subotnik's All My Hummingbirds Have Alibis"
            Leslie Van Handel
 

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VOL. 11, No. 1 (1996)
 
EDITORS:
Fletcher Moore, Gabriel Racz
 
ARTICLES:
"Dialogue and Drama: Haydn's Symphony no. 102"
            Simon P. Keefe
 
"Musical and Cultural Activities inside Terezin, 1941-1945"
            Gregory Gilmore
 
"Probing Density 21.5"
            Bengt Edlund
 

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VOL. 11, No. 2 (1996)
 
EDITORS:
Fletcher Moore, Gabriel Racz
 
ARTICLES:
"Tragedy and Treatment of Tragic Elements in the Legend of Orpheus: A Comparison of the Underworld Scenes in Mythological Sources with the Operas of Monteverdi and Sartorio"
            Julia Brown
 
"Comrades, the Bugles are Sounding!"
            Scott Gac
 
"Text and Form in Schubert's Die Schöne Müllerin, "Wohin?": A Schenkerian Perspective"
            Ralph Steffen
 

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VOL. 12 (1997)
 
EDITOR:
Melissa D. Blakesly
 
ARTICLES:
"Northern Italian Psalm Collections of the Late 15th Century: The Preservation of an Improvised Practice"
            John Karr
 
"Virgil Shakespeareanized": The History and Reception of Berlioz's Les Troyens"
            Matthew P. Woodward
 
"Stylistic Correlation and the Histoically/Presentist Perspectives: A View of Christopher Simpson's The Division Violist (1659)"
            Damon Sink
 

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VOL. 13 (1998)
 
EDITOR:
Amber Good
 
ARTICLES:
"Hans Jürgen Syberberg's Parsifal: The Staging of Dissonance in the Fusion of Opera and Film"
            Jeongwon Joe
 
"Eric Dolphy's 'Africa': Avoiding the Exoticism of Jazz in the 1960s"
            Gareth Orsmond
 
"Performance Practice and Contemporary Music: A Look at Eonta by Iannis Xenakis"
            Gregory N. Reish
 

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VOL. 14 (1999)
 
EDITOR:
Amber Good
 
ARTICLES:
"In the Spirit of the People: Mahler's Settings of Folk Poetry from Des Knaben Wunderhorn"
            Kirk Severtson
 
"Toward an Understanding of Wagnerian Music-Drama: An Examination of Tristan und Isolde"
            Andrew White
 
"J. C. Bach's Temistocle: Detecting the Reform Spirit in Eighteenth-Century Opera Seria"
            Joseph Bognar
 

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VOL. 15 (2000)
 
EDITOR:
Kendra Preston Leonard
 
ARTICLES:
"Richard Strauss's Salome and the 'Vienna Debate'"
            Anne L. Seshadri
 
"'Ain't Gonna Let Nobody Turn Me Round': Music of Black Resistance in 1960's America"
            Nadya Zimmerman
 
"Alienation and Powerlessness: Adam Mickiewicz's Ballady and Chopin's Ballades"
            Dorota Zakrzewska
 
REVIEWS:
Adrienne Fried Block, Amy Beach: Passionate Victorian
            Melissa Blakesly
 
Mark N. Grant, Maestros of the Pen
            Kendra Preston Leonard
 

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VOL. 16 (2001)
 
EDITOR:
Kendra Preston Leonard
 
ARTICLES:
"Brothers Gonna Work it Out?: Echoes of Blaxploitation Sound in Hip-Hop"
            Joanna Demers
 
"Musical Postmodernism and the Hard-Boiled World of John Zorn"
            Lynette Gottlieb
 
"Music in the Italian and Greek Communities of Ambridge, Pennsylvania: Two Models of Acculturation and Assimilation"
            Julie Ann Throckmorton
 
REVIEWS:
 
Simon Frith and Andrew Goodwin, eds. On Record: Rock, Pop, and the Written Word
            Suzanne Hamlin
 
Richard Hickox and the Northern Sinfonia, The Wandering Scholar by Gustav Holst
            Kendra Preston Leonard
 

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VOL. 17 (2002)
 
EDITOR:
Nina Perlove
 
ARTICLES:
"Repetition and Return: Music's Challenge to Mimesis in Benjamin Britten's Death in Venice"
            Ruth Sara Longobardi
 
"Robert Schumann's Kreisleriana: Using Hoffmann's Kreisler as a Model for the Unification of Contrasts"
            David M. Severtson
 
"The Approach to Tonality in the Third Movement of Leonard Bernstein's Chichester Psalms"
            J. Wesley Flinn
 
"A Voice of Their Own: The Upper Class and the Development of the National Song in Scotland"
            Bonnie Cutsforth-Huber
 
REVIEWS:
Margaret Kartomi, On Concepts and Classifations of Musical Instruments and "The Classification of Musical Instruments: Changing Trends in Research"
            Kenneth S. Habib
 
Gail Levin and Judith Tick, Aaron Copland's America: A Cultural Perspective
            Nina Perlove
 
Robert Spaethling, ed. and trans., Mozart's Letters, Mozart's Life: Selected Letters
            Michelle Davidson
 
Alexander Utendal, Giaches de Wert (1535-1596) and his Time: Colloquium Proceedings and Motets: Monumenta Flandriae Musica
            Dan Neises
 

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VOL. 18 (2003)
 
EDITOR:
Suzanne Hamlin
 
ARTICLES:
"The Juxtaposition of Visual and Musical Elements in Nazi Films (1933-1945)"
            Catherine Chamblee
 
"Creating 'The Fruit and the Root': The American Neoclassical Aesthetic and Its Distant Relationship to the American Folk"
            Travis D. Stimeling
 
"Robert Schumann's 'Denk- und Dichtbüchlein' and the Genres of the Apohrism, Maxim, and the Fragment"
            Jennifer Ronyak
 
REVIEWS:
Julian Budden, Puccini: His Life and Works
            Kunio Hara
 
Lewis Lockwood, Beethoven: The Music and the Life
            Michelle Meinhart-Davidson
 
Stephen C. Meyer, Carl Maria von Weber and the Search for a German Opera
            Bethany J. Smith
 
Lori Burns and Mélisse Lafrance, Disruptive Divas: Feminism, Identity and Popular Music
            Suzanne Hamlin

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VOL. 19 (2004)
 
EDITOR:
Anya Holland
 
ARTICLES:
"Rudolf Dittrich's Nippon Gakufu and Giacomo Puccini's Madama Butterfly"
            Kunio Hara
 
"Is this Really Liberty, Equality, Fraternity?: The NTM Affair, French Cultural Politics, and Americanization as Cultural Miscegenation"
            J. Griffith Rollefson
 
"Tears from a Nightingale: Analytical Duality in Gustav Mahler's 'Wo die schönen Trompeten blasen'"
            Molly M. Breckling
 
REVIEWS:
Martin Stokes and Philip V. Bohlman (eds.), Celtic Modern: Music at the Global Fringe
            Christopher M. Barry
 
Jane A. Bernstein (ed.), Women's Voices across Musical Worlds
            Bethany Jo Smith
 
Tess Knighton and Andrew Wathey (ed.), Machaut's Music: New Interpretations
            Joseph W. Hupchick
 
Christopher Alan Reynolds, Motives for Allusion: Context and Content in Nineteenth-Century Music
            Kevin R. Burke

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VOL. 20 (2005)
 
EDITOR:
Kevin R. Burke
 
ARTICLES:
"Tinctoris's Miss L'homme armé: Music and Context"
            Jenifer Bernard

"Forward Motion in an Improvisation by Miles Davis: A Galperian Reduction and Analysis of 'So What'"
            Andrew Scott

"Parlor Music in Film Adaptations of Jane Austen's Novels"
            Kim Rooney

REVIEWS:

Professional Music Making in London: Ethnography and Experience, by Stephen Cottrell
            Benjamin M. McBrayer

Stagolee Shot Billy, by Cecil Brown
            Whitney Holley

Tin Pan Alley: An Encyclopedia of the Golden Age of American Song, ed. by David A. Jansen
            Brian D. Hoffman

Face to Face with Orchestra and Chorus: A Handbook for Choral Conductors, 2nd edn, ed. by Robert Palmieri and Margaret W. Palmieri
            Aaron Ziegel

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To Enquire about a Back Issue, Contact:

Editor
Music Research Forum
The University of Cincinnati
College-Conservatory of Music
P.O. Box 210003
Cincinnati, OH 45221-0003
(513) 556-9564
<Music.Research.Forum@uc.edu>