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| 2:00–3:30 |
Keynote Address I / "Thinking About Music" Lecture |
William Rothstein
CUNY Graduate Center |
How Non-Germanic Repertories Can Affect Our Theories of Nineteenth-Century Music |
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| 4:00–5:30 |
19th-Century Music / Schenkerian Topics
David Byrne, Chair |
Danny Arthurs
Indiana Univ. |
Irony and Illusion in the Second Movement of Beethoven’s Piano Sonata, Op. 101 |
David Heetderks
Univ. of Michigan |
Composing Out Homesickness: Thematic Return in Chopin Mazurkas |
Breighan Moira Brown
Univ. of Cincinnati, CCM |
"First-Order Metric Parallelisms": A Schenkerian Approach to Rhythm and Meter in Tchaikovsky’s Valse (Symphony No. 5 in E Minor, III) |
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| 8:00 |
Reception |
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| Saturday, 10 February |
| 9:00–10:30 |
Popular Music and Society
Brett Clement, Chair |
Christopher Endrinal
Florida State Univ. |
Burning Bridges: Defining the Interverse Using the Music of U2 |
John Stine
Univ. of Cincinnati, CCM |
“I ...want...to...fit...in.”: The Role of Music and Consumer Saturation in Bret Easton Ellis’s American Psycho |
Gabriel Miller
Ohio State Univ. |
Nonlinear Time in Funk as Exemplified in James Brown’s Say it Live and Loud |
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| 10:30–12:00 |
20th-Century Music and Music Theory (Room 3234)
Brian Moseley, Chair |
Sean Atkinson
Florida State Univ. |
Process and Intuition: Narration in Three Tales by Steve Reich |
Michael Kelly
Univ. of Cincinnati, CCM |
An Exploration of Pitch Organization in Krzysztof Penderecki’s Passion According to Saint Luke |
Richard R. Randall
Univ. of Massachusetts, Amherst |
Understanding Hybridity: Comparing Geometric Models of Tonal Hierarchy |
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| 10:30–12:00 |
Opera, Film and Culture
Kevin R. Burke, Chair |
Noel Verzosa
Univ. of California, Berkeley |
Wagner Reception and Modernity after Baudelaire: The Case of the Revue wagnérienne |
Kunio Hara
Indiana Univ. |
Distorted Musical Memory and the Creation of a New Heroine in Puccini’s Il tabarro |
Peter Kupfer
Univ. of Chicago |
Film Music and the Construction of Post-Soviet Collective Identity: Nikita Mikhalkov’s Burnt by the Sun |
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| 12:00–1:00 |
Lunch (provided free to those who register) |
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| 1:00–2:30 |
Panel Discussion (TBA) |
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| 2:30–3:30 |
18th-Century Music
Anna Alfeld, Chair |
Crystal Peebles
Florida State Univ. |
The Analysis of Fugue: Reexamining Rhetorical Approaches |
Timothy Best
Indiana Univ. |
Tragedy as Expressive Genre: the Cathartic Element in Eighteenth-Century Instrumental Music |
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| 3:30–5:00 |
Keynote Address II |
Mark Evan Bonds
Univ. of North Carolina, Chapel Hill |
Rethinking Absolute Music: Hanslick the Radical |
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