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Friday, 4 April (all Friday events are in the Baur Room of the Corbett Center for the Performing Arts, unless noted otherwise)
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| 1:00–2:00pm |
Registration Begins (in CCM Atrium) |
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| 2:00–3:45 |
Welcoming Remarks |
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Thomas Kernan
CCM Music Theory & Musicology Society President
Warren George
Interim Dean of the College-Conservatory of Music
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Theory Keynote / "Thinking About Music" Lecture |
Christopher Hasty
Walter W. Naumburg Professor of Music Theory, Harvard Univ. |
"Changing the Subject of Music in Theory" |
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| 4:00–6:00 |
Session I: Approaches to Structure
Brett Clement, chair |
David Byrne
Univ. of Cincinnati |
"Sonata Form and Tonal Structure in the First Movement of Bruckner’s Fifth Symphony" |
Yi-Cheng Wu
SUNY Buffalo |
"Atonal Voice Leading and Harmonic Progression in Webern’s ‘Die Geheimnisvolle Flöte,’ op. 12 no. 2: Problems with Contemporary Theories" |
Patricia Howland
CUNY Graduate Center |
"Phrase Forms in the Music of Babbitt and Stockhausen" |
Adam Kolek
Univ. of Massachusetts, Amherst |
"Noise and Form: Perceptual Structure in a John Zorn Collage" |
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| 8:00–9:30 |
Reception |
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| Saturday, 5 April (all Saturday events are in Mary Emery Hall, Room 3250, unless noted otherwise) |
| 8:15–9:00am |
Breakfast available |
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9:00–10:30
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Session II: Nature and the Ethereal
Jason Hibbard, chair |
Daniel Goldberg
Carleton College |
"Good Humored Cockneys and an Unconcerned River: A Hermeneutic Interpretation of Holst’s Hammersmith" |
Michelle Davidson
Univ. of Cincinnati |
"Performers to Remember: The Representation of Music in the Autograph Letters Scrapbook of Countess Katrine Cecillia Cowper" |
Michael Vidmar-McEwen
Indiana Univ. |
"Franz Schubert and the Etherealized Mechanical" |
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10:45am–12:15pm
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Session III: Harmonic Languages
Michael Kelly, chair |
Kazuaki Shiota
Univ. of Cincinnati |
"The Overtone Extraction Theory Based on Two Fundamentals" |
Mike Solomon
Univ. of Florida |
"Three Statistical Measures on the Dissolution of Tonality" |
Danny Arthurs
Indiana Univ. |
"Reconstructing Tonal Idioms: Temporal Plasticity in Brad Mehldau’s 'Unrequited'" |
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12:15–1:30pm
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Lunch (provided for all participants; in the CCM Cafe) |
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| 1:30–2:30 |
Panel Discussion: "Studying Performance" |
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Christopher Hasty (Harvard Univ.), Jeongwon Joe (Univ. of Cincinnati), and Richard Taruskin (Univ. of California, Berkeley) |
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| 2:45-3:45 |
Session IV: Interpreting Opera
Leah Branstetter, chair |
Bethany Smith
Univ. of Cincinnati |
"Baba the Transgender Turk: Queering Neoclassicism in Stravinsky’s The Rake’s Progress" |
Joseph E. Jones
Univ. of Illinois, Urbana-Champaign |
"Rapturous Duet or Righteous Lie: Der Rosenkavalier’s Presentation Scene Reconsidered" |
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| 4:00–5:45 |
Musicology Keynote / "Thinking About Music" Lecture |
Richard Taruskin
Professor of Musicology, Univ. of California at Berkeley |
"Shall We Change the Subject? A Music Historian Reflects" |
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