| 17 Jan. |
David McAllester |
Traditional and Contemporary Navajo Music |
|
Connecticut Wesleyan Univ. |
|
| 24 Jan. |
Malcolm Brown |
Shostakovich Appropriated and Exploited |
|
Indiana Univ. |
|
| 7 Feb. |
Taylor Greer |
Philosophy in an Ultramodern Key: |
|
Pennsylvania State Univ. |
New Perspectives on Charles Seeger's Thought |
| 14 Feb. |
Dennis Slavin |
The Binchois Game: Tonal Coherence and |
|
CUNY |
Compositional Style |
| 21 Feb. |
Justin London |
Meter Casts No Shadows |
|
Carlton College |
|
| 28 Feb. |
Guthrie Ramsey |
Toward a Cultural Poetics of Race Music: |
|
Tufts Univ. |
Memory, Meaning, and the "Practice of Blackness" |
| 1 Apr. |
Barbara Haggh |
Elite and Popular Music in Late Medieval Ghent |
|
Alamire Institute |
|
| 25 Apr. |
Ellen Koskoff |
Gender and Music among the Hassidim |
|
Eastman School of Music |
|
| 2 May |
James Zychowicz |
Mahler's Die Drei Pintos and the Taboo against |
|
A-R Editions |
Posthumous Collaboration |
| 9 May |
Peter H. Smith |
Brahms & the Shifting Barline: Metric Displacement |
|
Univ. of Notre Dame |
& Formal Process in the Trios with Wind Instruments |
| 23 May |
Thomas Christensen |
C.P.E. Bach and Traditions of Thorough-Bass Pedagogy |
|
Univ. of Iowa |
|
