| 6 Oct. |
Brian Hyer |
Hagen's Dream |
|
Univ. of Wisconsin |
|
| 13 Oct. |
Luitgard Schader |
Gestalt Psychology in Music Theory: The Reception of |
|
Paul-Hindemith-Institut |
Ernst Kurth's Foundation of Linear Counterpoint |
| 17 Nov. |
Lewis Rowell |
Musical "Icons" and the Aesthetics of Familiarity |
|
Indiana Univ. |
|
| 19 Jan. |
Daniel Melamed |
The Small Dramatic Roles in Bach's Passion Repertory |
|
Indiana Univ. |
and Problems of Performance Practice |
| 2 Feb. |
Graeme Boone |
Is the French Language Anti-Musical?: Text Setting |
|
Ohio State Univ. |
from Dufay to Bizet |
| 2 Mar. |
Harald Krebs |
Metrical Dissonance in the Music of Chopin |
|
Univ. of Victoria |
|
| 6 Apr. |
Paul Berliner |
Shona Music and the Role of Music in Zimbabwe's |
|
Northwestern Univ. |
War of Liberation |
| 4 May |
Beth Glixon |
The Lives and Careers of Barbara Strozzi and other |
|
Univ. of Kentucky |
Venetian Women of the Operatic Stage |
| 18 May |
Warren Darcy |
Rotational Form, Teleological Genesis, and Fantasy- |
|
Oberlin College |
Projection in the Slow Movement of Mahler's 6th Symphony |
