| 12 Oct. |
Guerino Mazzola |
A Mathematical Theory of Gesture in Music
|
| |
Univ. of Minnesota |
|
| 26 Oct. |
Susan Youens |
Schubert’s Pantheist Songs
|
| |
Univ. of Notre Dame |
|
| 7 Nov. |
Philip Bohlman |
Music of the Mediterranean Metropole |
| |
Univ. of Chicago |
and the Making of Modern Europe |
| 29 Feb. |
Allan Keiler |
Thoroughbass and Rameau in Their
|
| |
Brandeis Univ. |
Historical Perspective |
| 7 Mar. |
James Schmidt |
‘I Cannot Remember Ev’rything’: |
| |
Boston Univ. |
Catastrophe, Lamentation and the Musical Memorial |
| 4 Apr. |
Christopher Hasty |
Changing the Subject of Music in Theory
|
| |
Harvard Univ. |
|
| 5 Apr. |
Richard Taruskin |
Shall We Change the Subject? |
| |
Univ. of Calif., Berkeley |
A Music Historian Reflects |
| 16 May |
Rebecca Maloy |
Limmata interdum de industria cantibus inseruntur: |
| |
Univ. of Colorado |
Reexamining the Nondiatonic Plainsong Tradition |
| 23 May |
Gretchen Horlacher |
Stravinsky’s Stutter: Modeling Melodic |
| |
Indiana Univ. |
Development and Repetition |
