| 10 Oct. |
Joseph Kraus |
Levels of Nostalgia and Narrative Collapse in the
|
| |
Florida State Univ. |
“Pastorale” from Tchaikovsky’s Manfred Symphony |
| 21 Nov. |
Bastian Clevé |
The Sound of Eternity: Making a Movie for
|
| |
Filmakad. Baden-Württemberg |
J.S. Bach’s Mass in B Minor |
| 30 Jan. |
Frank Samarotto |
The Drama of the Bridge: Modulation as Process |
| |
Indiana Univ. |
|
| 13 Feb. |
Bruno Nettl |
Song Ownership and Control in Native American
|
|
Univ. of Illinois,
Urbana-Champaign |
Traditions: Excursions to Blackfoot Indian Culture
Lecture by a Distinguished Ethnomusicologist |
| 27 Feb. |
David Ake |
Jazz and the Aesthetics of Mistakes
|
| |
Univ. of Nevada, Reno |
|
| ? Apr. |
Warren Darcy |
What Lies Buried under the Linden Tree? |
| |
Oberlin Conservatory
|
Form, Tonal Process, and Meaning in the Funeral March
of Mahler’s First Symphony |
| 24 Apr. |
Marcia J. Citron |
Gendered Reception of Brahms:
|
| |
Rice Univ. |
Masculinity, Nationalism, and Musical Politics |
| 15 May. |
Peter Cariani |
As If Time Really Mattered: Neural Codes and |
| |
Harvard-MIT
|
Computations that Subserve Music Perception and Cognition |
| 5 June |
Lawrence Kramer |
“The Threshold of the Visible World”: |
| |
Fordham Univ. |
Bill Viola’s Tristan |
