Liszt as Transcriber (monograph in progress).

Contributing Editor, C.P.E. Bach, Arrangements of Orchestral Works, ser. I, vol. 10.2, of Carl Philipp Emanuel Bach: The Complete Works, in preparation.

“Liszt, Yesterday and Today,” Nineteenth-Century Music Review 4/2 (2007): 141–153.

“Collaboration and Content in the Symphonie fantastique Transcription,” The Journal of Musicology 24/2 (2007): 195–236.

Review of William Alexander Eddie, Charles Valentin Alkan: His Life and His Music, in Notes 64/4 (2008): 731–733.

Review of Alan Walker, Reflections on Liszt, in Notes 63/4 (2007): 836–839.

Review of Dana Gooley, The Virtuoso Liszt, in Nineteenth-Century Music Review 3/2 (2006): 170–173.

“Reviving La Romanesca,” presented at the Fifteenth International Conference on Nineteenth-Century Music, Dublin, Ireland, June 2008.

“Beethoven as Myth and Music, c. 1840,” presented at the meeting of the New England Chapter of the American Musicological Society, Durham, NH, May 2007.

“The Work of Art Before the Age of Mechanical Reproduction: A Reconsideration of the Nineteenth-Century Piano Transcription,” presented at the annual meeting of the American Musicological Society, Los Angeles, CA, November 2006.

“From Partition to Hausmusik: Franz Liszt’s Symphonie fantastique and the Berlin Firm of A. M. Schlesinger,” presented at the annual meeting of the Royal Musical Association, Nottingham, England, July 2006.

“Franz Liszt’s Late Transcriptions and the Lure of History,” presented at the Fourteenth International Conference on Nineteenth-Century Music, Manchester, England, July 2006.

Lady in the Dark, ed. bruce d. mcclung (New York: Kurt Weill Foundation for Music; European American Music, in preparation); Kurt Weill Edition, Series I, Volume 16.

Lady in the Dark: Biography of a Musical (New York: Oxford Univ. Press, 2007).

“Municipal Opera: Cincinnati, Paoletta, and the Ohio Valley Exposition of 1910,” invited lecture, Music Library Association, Midwest Chapter Meeting (12 October 2007).

“Lady in the Dark’s Vocal Score: Corrupted Source or Viable Text?,” invited lecture, Editorial Board Meeting, Kurt Weill Edition, NYC (2 March 2007).

“Source Study and the Broadway Musical,” International Colloquium “The American and British Musical,” University of Bristol [UK] (10 March 2006).

“The Cincinnati Songs of Stephen Foster,” lecture presented at the Cincinnati Art Museum (Cincinnati Wing), 2005.

“From the Music Cabinet: Cincinnati Sheet Music,” lecture presented at the Cincinnati Art Museum (Cincinnati Wing), 2005.

Session Chair, American Musicological Society, 2007 Annual Meeting

Deems Taylor Award (2008) from ASCAP for Lady in the Dark: Biography of a Musical

George Freedley Memorial Award, Special Jury Prize (2006) from the Theatre Library Association for Lady in the Dark: Biography of a Musical

Faculty Development Grant, 2006

University of Cincinnati, Faculty Research Council Grant, 2005

Friends of CCM Grant, 2005

“Review of John A. Rice, Empress Marie Therese and Music at the Viennese Court, 1792-1807,” Eighteenth-Century Music 2 (2005): 14-16.

“The Power and Perils of Using Criticism in Constructing a History of the Eighteenth-Century Symphony. Keynote address, Holbergdagene (Holberg Symposium). Bergen, Norway, December 2007.

A Critical Edition of the Beneventan Chant (manuscript in preparation).

“Transcribing the Beneventan Chant”  (article under review).

“International Repertories and Local Musical Values: The Internationalization of Musical Style and Beneventan Survivalism in the Twelfth Century Office.”  Paper presented at the Canadian University Music Society Congress, University of British Columbia (2008).

“In campo aperto, but not in Left Field:  Transcribing and Editing Beneventan Chant.” Paper presented in the Boston University Musicology Lecture Series (2007).

“The Sight of Chant: Visual Representation and the Translation of the Neumatic Tradition.”  Round table participant in a discussion of the modern reception of chant, AMS Northeast Chapter Meeting, Wellesley College (2007).

“Beneventan Music and Gregorian Modality: Evidence of Modal Change in the Melodic Fund of the Old Beneventan Chant.” Paper presented at the national meeting of the American Musicological Society, Los Angeles (2006).  

“The Dissolution of Beneventan Modality.”  Paper presented at the AMS Northeast/New York Joint Chapter Meeting, Yale University (2006).

“Pitch and Modality in the Beneventan Chant: The Witness of the Late Antiphoners.” Paper presented at Harvard University Music Department, Friday Colloquium Series (2005).

“Old Beneventan Chant in a South Italian Antiphoner” Paper presented at the Med-Ren Conference of the Royal Musical Association, Glasgow, Scotland (2004).

“Traces of Old Beneventan Chant in a South Italian Dedication Office.” Paper presented at Cantus Intertextus: Chant and Liturgy in Medieval Italy, conference presented by the Pontifical Institute for Medieval Studies, University of Toronto (2004).

Chair, Advisory Board of Atkinson Centre, York University (2007-08).

Member, Retention Council (Resources subcommittee), York University (2007-08).

Member, Advisory Board, Centre for Support of Teaching, York University (2007-08).

Member, Administrative Board, Harvard College (2004-07).

Member, Resident Dean’s Advisory Committee, Harvard University (2006-07).

Conference Presenter, Derek Bok Center for Teaching and Learning, Harvard University (2005, 2006).

Panelist, Early Music America Open Session for Early Music Directors, “Why Teach Early Music Performance: What’s Our Goal?,” at the meeting of the American Musicological Society, Nashville, November, 2008

Secretary, Midwest Chapter of the American Musicological Society (2007–09)

University of Cincinnati, UC International: Faculty Abroad Grant, to teach “Music, Art, and Thought in Medici Florence” (2008).

University of Cincinnati, Faculty Development Council Grant, for “Study Tour of the Loire Valley” (2008).

University of Cincinnati, Tangeman Sacred Music Foundation Grant, to present “Josquin’s Missa L’homme armé super voces musicales and Its Compositional Cousins” at the Medieval and Renaissance Music Conference, Bangor, Wales, UK, July 2008 (2008)

Friends of CCM Faculty Projects Pool, for professional travel (2007)

University of Cincinnati, UC International: Faculty Abroad Grant, to teach “Music, Art, and Thought in Medici Florence” (2006)

University of Cincinnati, Tangeman Sacred Music Foundation Grant, for the project Masses by Ludwig Daser and Matthaeus Le Maistre: Parody Masses on Josquin's Motets from the Bavarian Ducal Court of Albrecht V (2006)