Liszt and the Vocabularies of Transcription (monograph in progress).

Contributing Editor, C.P.E. Bach, Arrangements of Orchestral Works, ser. I, vol. 10.2, of Carl Philipp Emanuel Bach: The Complete Works, in preparation.

“Liszt, Yesterday and Today,” Nineteenth-Century Music Review 4/2 (2007): 141–153.

“Collaboration and Content in the Symphonie fantastique Transcription,” The Journal of Musicology 24/2 (2007): 195–236.

Review of William Alexander Eddie, Charles Valentin Alkan: His Life and His Music, in Notes 64/4 (2008): forthcoming.

Review of Alan Walker, Reflections on Liszt, in Notes 63/4 (2007): 836–839.

Review of Dana Gooley, The Virtuoso Liszt, in Nineteenth-Century Music Review 3/2 (2006): 170–173.

“Beethoven as Myth and Music, c. 1840,” presented at the meeting of the New England Chapter of the American Musicological Society, Durham, NH, May 2007.

“The Work of Art Before the Age of Mechanical Reproduction: A Reconsideration of the Nineteenth-Century Piano Transcription,” presented at the annual meeting of the American Musicological Society, Los Angeles, CA, November 2006.

“From Partition to Hausmusik: Franz Liszt’s Symphonie fantastique and the Berlin Firm of A. M. Schlesinger,” presented at the annual meeting of the Royal Musical Association, Nottingham, England, July 2006.

“Franz Liszt’s Late Transcriptions and the Lure of History,” presented at the Fourteenth International Conference on Nineteenth-Century Music, Manchester, England, July 2006.

Lady in the Dark, ed. bruce d. mcclung (New York: Kurt Weill Foundation for Music; European American Music, in preparation); Kurt Weill Edition, Series I, Volume 16.

Lady in the Dark: Biography of a Musical (New York: Oxford Univ. Press, 2007).

“Municipal Opera: Cincinnati, Paoletta, and the Ohio Valley Exposition of 1910,” invited lecture, Music Library Association, Midwest Chapter Meeting (12 October 2007).

“Lady in the Dark’s Vocal Score: Corrupted Source or Viable Text?,” invited lecture, Editorial Board Meeting, Kurt Weill Edition, NYC (2 March 2007).

“Source Study and the Broadway Musical,” International Colloquium “The American and British Musical,” University of Bristol [UK] (10 March 2006).

“The Cincinnati Songs of Stephen Foster,” lecture presented at the Cincinnati Art Museum (Cincinnati Wing), 2005.

“From the Music Cabinet: Cincinnati Sheet Music,” lecture presented at the Cincinnati Art Museum (Cincinnati Wing), 2005.

Session Chair, American Musicological Society, 2007 Annual Meeting

George Freedley Memorial Award, Special Jury Prize (2006) from the Theatre Library Association for Lady in the Dark: Biography of a Musical

Faculty Development Grant, 2006

University of Cincinnati, Faculty Research Council Grant, 2005

Friends of CCM Grant, 2005

The Symphonic Repertoire, Vol.1: The Eighteenth-Century Symphony, ed. Mary Sue Morrow and Bathia Churgin (Bloomington: Indiana Univ. Press, in preparation).

“Other Classical Repertoires.”  In The Cambridge Companion to the Symphony, ed. Julian Horton.  Cambridge:  Cambridge University Press. In preparation.

“Grundlegende Aspekte der deutschen Musikkritik um 1800.”  In Musik und Bürgerkultur:  Leipzigs Aufstieg zur Musikstadt, ed. Stefan Horlitz and Marion Recknagel, 82–90. Leipzig Musik und Stadt:  Studien und Dokumente, 2. Leipzig: Edition Peters, 2007.

“Symphonies and Sitcoms:  Rethinking Genre History with Mozart in Mind.” Min-Ad: Israel Studies in Musicology Online 6/II (December, 2006).

“Vienna,” in The Cambridge Mozart Encyclopedia, ed. Cliff Eisen and Simon P. Keefe (Cambridge: Cambridge Univ. Press, 2006): 517-26.

“Review of John A. Rice, Empress Marie Therese and Music at the Viennese Court, 1792-1807,” Eighteenth-Century Music 2 (2005): 14-16.

“The Power and Perils of Using Criticism in Constructing a History of the Eighteenth-Century Symphony. Keynote address, Holbergdagene (Holberg Symposium). Bergen, Norway, December 2007.