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"If you are a high school
student intent on studying musical theatre, more I cannot wish you than
to enroll at the University of Cincinnati College-Conservatory
of Music."
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PETER FILICHIA
Theatre Week
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usical
theatre today
is an impressive art form. From Sydney to
Helsinki, Tokyo to Berlin, capacity audiences attest to the popularity of
musicals created on the stages of Broadway and the West End. It is the most collaborative of all the arts, bringing
together the composer, lyricist, playwright, choreographer, conductor,
designer and performer in a unique way. Its emphasis is on the imagination and on bringing together the
interpretative arts.
Whereas drama often relies on the spoken
word for its effect, musical theatre encourages the use of other techniques
to project dramatic ideas. It makes song, dance and
gesture an essential part of the creative and interpretive
process. So, in West Side Story Tony and Maria can sing of a better
place "somewhere," in A Chorus Line Cassie can express her love of
dance through movement and in The Fantasticks the Mute can move us
to tears without saying a word.
It is difficult to
predict coming trends in musical theatre or to delineate the skills needed
by the successful performers of the future. Broadway shows of the past
decade have utilized a startling diversity of talents. Contact, The
Phantom of the Opera, Starlight Express, City of Angels and Pacific
Overtures have demanded of their casts powerful dance skills, operatic
voices, prowess in roller-skating, jazz improvisation and a knowledge of the
Kabuki stage, as well as the talent for capturing
universal emotions in sound and movement. Today, a young
performer wishing to pursue a career in musical theatre should be able to
sing and
dance and act with technical mastery and
craft. And that is the minimum
requirement!
n
the web site Talkin' Broadway,
Scott Cain wrote of our musical theatre program, "CCM's
program consistently produces some of the most talented and well-trained
collegians in the nation."
This is our stated mission. A professional training program such as the one
at CCM is designed to help singers, dancers, and actors become "triple threats"—
imaginative, creative, and capable of bringing their talent and
intellect to bear on a popular art form — vocally,
physically, intellectually
and emotionally.
At CCM,
training in musical theatre is not about being famous or becoming a star. It
is about learning to work in ways that contribute positively to the art of
the musical theatre. It is about freeing our own
creativity,
establishing a love of "the art in ourselves"
and building a lasting
appreciation
for the performing arts.
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ASHLEY BROWN
Class of 2004
Ashley is currently playing the title role in
Mary Poppins on Broadway. She was nominated for an Outer Critics Circle and a Drama
Desk Award for her performance. Previously she played Belle in Beauty
and the Beast on Broadway and
appeared in the
popular Broadway by the Year
series at Town Hall, performing songs from Candide and
L'il Abner.
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