CCMOnStage Dance Presents

GISELLE

 

April 14-17, 2022, Corbett Auditorium

Dance Department Supporter 
The Corbett Endowment at CCM

  • Directors Dierdre Carberry and Shauna Steele
  • Guest Artists Jace Pauly, Cincinnati Ballet; and Antonio White
  • Choreography Jean Coralli (1854), Jules Perrot (1892), Marius Petipa (1910 revival)
  • Composer Adolphe Adam (1856)
  • Lighting Designer Sharon Huizinga
  • Associate Lighting Designers Natalia Carlson*, Kate Ingram*
  • Costume Designers Kristina Sneshkoff, Shauna Steele
  • Sound Designer Ryan Hurt*
  • Production Stage Manager Morgan Piper*
  • Technical Director Grace Mayo*
  • Scenery Anderson Young Ballet Theatre, Ballet Theatre of Carmel, Gatsch

*CCM student

Giselle will run approximately 90 minutes, plus a 15-minute intermission

Synopsis/Scene Breakdown

One of the most romantic and beloved ballets about love’s triumph over treachery and death was originally produced at the Theatre de L’Academie Royale de Musique in Paris on June 28, 1841. The story was written by Theophile Gautier based on a theme by Heinrich Heine.

Act I

In a pastoral village, a naïve young girl, Giselle, lives with her watchful, protective mother, Berte. Prince Albrecht, Duke of Silesia, engaged to a noblewoman named Bathilde, is bored and lonely with his every day existence. Captivated by Giselle’s frail beauty and innocence, Albrecht disguises himself as a peasant named Loys and pledges his love to her. Hilarion, the village gamekeeper, also loves Giselle. He is filled with suspicion and jealousy and plots revenge when he observes Albrecht in royal garb. As the villagers celebrate the harvest by crowning Giselle as the festival queen; Berthe has a vision that her daughter will one day become a member of the Wilis. Hilarion exposes Albrecht’s disguise. Overwhelmed and distraught, Giselle goes mad and dies of aa broken heart.

Act II

It is midnight by Giselle’s grave in the woods where Hilarion is grieving Giselle’s death. He is frightened by the Wilis. These spirits of women jilted before their wedding day, rise from their graves at night and seek revenge upon men by dancing them to death. They immediately surround him and force him to dance until he drops dead of exhaustion. Albrecht arrives to beg forgiveness at Giselle’s gravesite. Myrtha, the Queen of the Wilis, orders Giselle to entice Albrecht into a frenzied dance that would eventually kill him. However, Giselle defends him and in vain, begs Myrtha for mercy, but the queen refuses. Albrecht survives the dance of death only through Giselle’s love and forgiveness as she sustains him in dancing until the first light of dawn when the Wilis power is lost in the dawns light.

Acknowledgments

Special thanks to Rodney and Laurie Gasch, Amber Boyd, Will Brenner, Kyuran Ann Choe, Dr. Michael Donaworth, Rachel Gleason, Rose Smith, Heather Graden, Alan Husarchik, Dale Pickett, Diana Queen of Diana’s Dancewear, Jace Pauly of Cincinnati Ballet, Jennifer Thiemet of Anderson Young Ballet Theatre, Jane Hachiya-Weiner and Frank Weiner of Ballet Theatre of Carmel.  

The Dance Department gratefully acknowledges the support of The Corbett Endowment at CCM.

The Company

  • Giselle | Anna Lee Rohovec^, Maia Blake~
  • Berthe, Mother | Jennifer Listerman
  • Albrecht, Duke of Silesia | Jace Pauly, guest artist from Cincinnati Ballet
  • Wilfred, Albrecht’s Squire | Jeremy Thomas^, Katie Kinman~
  • Hilarion, Game Keeper | Garrett Steagall^, Antonio White~
  • Duke, Prince of Courtland | Katie Kinman^, Jeremy Thomas~
  • Bathilda, Albrecht’s Fiance | Rose Engel^, Lily Kozub~
  • Peasant Pas – First Boy | Garrett Steagall~
  • Peasant Pas – First Girls | Ying Ying Cecily Tong^, Eva Moore~
  • Peasant Pas – Second Boy | Antonio White^
  • Peasant Pas – Second Girls | Gemma Smith^, Sofia Stitz~
  • Giselle’s Friends | Emerson Lecrone, Lily Kozub^, Rose Engel~, Emma Phillips, Sydney D’Orso, Gabby Savka (Thurs), Emilia Mieczykowski (Fri), Alyssa Pankey (Sat), Maddie Talbot (Sun), Hannah Adamczak, Mandi Weitz
  • Villagers | Carmen Doll, Keenan Pennington, Morgan Montour, Iliana Rich, Rae Dougherty, Gracie Zamiska, Sarah Bartlett, Rebecca Docea, Hazel Alexander, Grace Mitchell, Cynthia Lutz, Elise Arcuri, Meg Green, Sophia Gray
  • Royal Party | Erin Decker, Taryn Grassbaugh, Laykin Stoess, Katie Griffith, Mira Sidhu
  • Myrtha, Queen of the Wilis | Maddie Talbot (Thur), Alyssa Pankey (Fri), Emilia Mieczykowski (Sat), Gabby Savka (Sun)
  • Moyna | Lauren Sokol^, Claire Zakrajzek~
  • Zulma | Bethany Roup^, Meg Green~
  • Wilis | Grace Mitchell, Hazel Alexander, Erin Decker, Sydney D’Orso, Rae Dougherty, Sarah Bartlett, Gracie Zamiska, Carmen Doll, Keenan Pennington, Mira Sidhu, Morgan Montour, Lily Kozub, Miranda Sharer, Rose Engel, Sophia Gray, Rebekah Docea^, Cynthia Lutz~, Iliana Rich^, Chloe King~, Katie Griffith^, Taryn Grassbaugh~

^ Thursday/Saturday performances
~Friday/Sunday performances

Production Staff

  • Assistant Stage Managers | Quinn Morgan, Katie Reus
  • Assistant Production Managers | Leah Berry, Emma King
  • Assistant Sound Designer | Brenden Friedel
  • Costume Assistants | Jonnie Lynn Jacobs Percer, Emerson Lecrone
  • Head Electrician | Tal Kochav
  • Assistant Head Electrician | Claire Michels
  • Lighting Programmer | Dionte Mercado
  • Light Board Operator | Corbin Hopkins
  • Followspot Operators | Indy Caramelli, Rachel Ledington, Logan Vanderpool
  • Deck Electrician | Corbin Hopkins
  • Electrics Crew | Indy Caramelli, Rachel Ledington, Logan Vanderpool, Corbin Hopkins
  • Lighting Graduate Assistants | Baron Leon, Alex Mason, Kristen Peck, Alaina Pizzoferrato
  • Assistant Technical Director | Grace Mayo
  • Staff Scenic Artist | Karolyn Hasselfeld
  • Scene Shop Assistants | Mckenna Brennan, Maya Eberhardt, Aaron Graham, Nick Hunley, Thomas Iodice, Grace Mayo, Stephanie O’Rear, Janay Sukkarieh, Logan Vanderpool
  • Set/Props Running Crew | Hannah Kate Hawver, Annalee Crosser, Izzy Dillon, Liz Mitten
  • Production Sound Engineer | Dani Silver
  • Sound Board Operator | Macay Smith
  • Sound Load in/Out | Ryan Hurt, Brenden Friedel, Macay Smith, Dani Silver, Patrick Kiernan, Aaron Harris-Woodstein, Alex Brock
  • Sound Shop Graduate Assistants | Alex Brock, Ryan Hurt, Patrick Kiernan, Aaron Woodstein
  • Stage Management Office Assistant | Jie Min

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On stage

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CCM welcomes Jordan M. Davis as Assistant Dean of Admissions

September 8, 2026

UC College-Conservatory of Music Dean Pete Jutras has announced the appointment of Jordan M. Davis, MA, as the college's new Assistant Dean of Admissions. In this role, Davis will be responsible for the vision, strategy and execution of all undergraduate and graduate recruitment and admissions for CCM. Working in partnership with college and university leadership, Davis will work to ensure that CCM's enrollment goals continue to align with its artistic and academic priorities. His appointment begins on Oct. 1, 2026.

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Sponsors

 

Louise Dieterle Nippert Trust

Scholarship and Resident Artist Supporter

 

The Corbett Endowment at CCM

Dance Department Supporter

All-Steinway School Supporter

 

William L. Gasch Endowment Fund for Dance Excellence

Rachelle Bruno & Stephen Bondurant

Ellen K. Bastron

Dance Department Supporters

 

Bacchus Legacy Fund

Hawks Nest Private Wealth Scholarship Fund

Dr. & Mrs. Carl G. Fischer

Ric Sweeney & David Askew

Ken and Toni Kanter

Henry and Sandy Spitz

Greg Mathein

Jim & Linda Miller

Marty & Anne Pinales

Musical Theatre Department Supporters

 

GLP German Light Products

Dick & Chris Russell

Upstaging, Inc.

Theater Design & Production Supporter

 

The Estate of Genevieve Smith

Opera Production Supporter

 

Rafael and Kimberly de Acha

Opera D’Arte Supporter

 

The Friedlander Family

Dr. Randolph L. Wadsworth

Judith Schonbach Landgren and Peter Landgren

Mr. & Mrs. Harry H. Santen

Elizabeth C.B. Sittenfeld

Elizabeth Stone

Mrs. Thomas E. Stegman

Mrs. Theodore W. Striker

Ariel Quartet Supporters

 

The Friedlander Family

Karl Zipser

Chamber Music at CCM

 

Elizabeth Ann Leman Muennich MD, PhD, in memory of John Leman

Jan Rogers

Willard and Jean Mulford Charitable Fund of the Cambridge Charitable Foundation

Choral Studies Supporters

 

Mr. & Mrs. Joseph W. Hirschhorn

Philharmonia Supporters

 

Dorothy Richard Starling Foundation

Starling Pre-Collegiate Supporter

Starling Strings Supporter

 

Holly Brians Ragusa and Damon Ragusa

Dr. Timothy E. and Janet L. Johnson

Thom Miles and Roberta Gary

Strader Fund of the Greater Cincinnati Foundation

Dr. Stephen G. Schaeffer

Organ Department Supporters

 

Keyboard Club of Cincinnati

L. Ried Schott

Carl Rhodes & Lori Luchtman-Jones

Piano Department Supporters

 

Kevin and Nancy Rhein

Wind Studies Supporters

 

Willis Music

LINKS Instrument Donation Supporter

 

Supporters listed as of August 2026

General Information


Land Acknowledgment

The Cincinnati area and the land that the University of Cincinnati has been built on is the native homeland of the Indigenous Algonquian speaking tribes, including the Delaware, Miami, and Shawnee tribes.


Box Office

Located in the CCM Atrium, the Box Office is open Monday through Friday, 12:30-6 p.m.; Saturday, noon-4 p.m.; and one hour prior to curtain for all ticketed performances. MasterCard, Visa and Discover cards are accepted.

  • Location: CCM Atrium Lobby next to Corbett Auditorium
  • Telephone: 513-556-4183
  • Email: boxoff@uc.edu
  • Mail: CCM Box Office, P.O. Box 210003, Cincinnati, OH 45221-0003

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Convenient parking is available in the CCM Garage at the base of Corry Boulevard off of Jefferson Avenue. Additional parking is available in garages throughout the UC campus. Any questions concerning on-campus parking should be directed to UC Parking Services at 513-556-2283.


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If you find that you cannot attend your performance, your tickets may be donated for tax credit as a charitable contribution. Simply notify the Box Office prior to the performance to release your seats, and give your name and address. A tax donation receipt will be mailed to you.


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UC has updated its indoor masking policy to align with the CDC's recommendations for masking. Beginning on Saturday, March 12, all masking restrictions will be eliminated in all CCM spaces, so long as rates of hospitalization and transmissibility remain in the low-to-medium zones. This means masking will no longer be required in classrooms, rehearsals, performances, etc. for everyone — students, faculty, staff, campus visitors and audience members. Members of our community who prefer to continue to wear a mask when indoors or in close proximity with others for personal safety should continue to do so. Please continue to be sensitive and respectful to the needs of others as we work through this transition. CCM performance venues are currently reduced to 50% capacity. Additional measures may be in place as conditions develop based on guidance from the CDC and UC's physician-led COVID response team. Visit the UC Public Health website and CCM's COVID-19 website for additional information and updates.


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If you have lost an item, contact lost and found at 513-556-9413.


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The House Manager has been instructed to minimize the disturbance to patrons already seated when accommodating latecomers. The director and producer of each production select times that are least likely to interrupt the performance, and latecomers will be seated only during these times. Latecomers who miss these opportunities will not be admitted until intermission. Children under the age of 6 will not be admitted.


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The use of cameras, with or without flashes, recording devices, cellular phones and other electronic devices inside the theater is prohibited. Please leave them with the House Manager.


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Smoking and refreshments are not permitted in the theater. Effective May 1, 2017, smoking and tobacco use (including chewing tobacco and electronic cigarettes) shall be prohibited by students, staff, faculty, visitors, vendors and contractors at all times in or on University of Cincinnati properties, including events on university property during non-school hours. This includes all shelters, indoor and outdoor theaters and athletic facilities, bridges, walkways, sidewalks, residence halls, parking lots, and street parking and garages owned by the university.


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Performance dates and repertoire are subject to change. View CCM's current calendar of events.

The purpose of these performances is educational, and they are part of a University of Cincinnati academic program.